Saturday, June 11, 2016

Atanarjurat, The Fast Runner

        
This amazing movie was made in 2002; I saw it way back then and saw it again yesterday.  Made in a Inuit village (area) in Canada with an entirely Inuit cast and mostly crew; this almost-three-hour movie tells an ancient legend updated to modern time (such as they are in that Arctic area where people live as they've lived hundreds or thousands of years. 

It is a story of three bad (selfish, murderous) members of the group, and how everyone survives (except the murdered man) and how they are finally expelled so the others can live as before.  The women are as strong as the men although the society is divided between the men who hunt and the women who prepare food and the skins of animals for clothing. At the base of the story is the ancient story of two brothers and one woman.  In the midst of the tale is the utterly unforgettable scene everyone who sees this movie finds unforgettable. 

When the evil ones ambush two men sleeping in a summer tent, one is murdered and the other, Atanarjurat (the fast runner of the title) flees, naked across the ice and the melted snow puddles with the three in pursuit. He manages to outrun them, collapses eventually and is saved by a small family  who are gathering bird eggs. He stays with them (his feet are badly cut up) for a season it seems and then returns to right the situation.

Much about this movie is ethnographic, we see an igloo being built, we hear songs and see a native dance with various people taking part while the group sings to the rhythm of a single drum. The showing of the film to a small group who take the usual documentary film class was the suggestion of a member of the group who has had a particular interest in the Inuit, knows their history and collected carvings and prints made by the group in Cape Dorset in the Canadian province now called Nunavut (I think that's the spelling).  The CD was available through the Massachusetts library system and I assume it is available to those who might want to watch it.

Wednesday, June 1, 2016

Ah, Spring!

I looked up yesterday an there they were: Mama, Papa and the fuzzy septuplets.  The day before I saw five adults on the lawn, today not a single goose. But yesterday's visitation was delightful. When they decided to leave they lined up neatly, Mama (maybe it was Papa) in front, the family all in a row and Papa (or maybe Mama) bringing up the rear. They are totally unfazed by cars, they cross the relatively busy street with total confidence and, so far, they have been unharmed.  Just beyond the commercial buildings across the road is a kettle pond (of which there are many, many, many on Cape Cod). I believe the nest is somewhere over there.  Probably the population on the yard will be much enlarged in a few weeks.

Monday, May 16, 2016

A Land's End - Race Point Lighthouse

Race Point Lighthouse is at the very end of Cape Cod, arguably the easternmost point of land in the US (I'm told down Mainer's have their own land's end candidate). It is a prototypical lighthouse as can be see.  I'm told it was becoming seriously derelict about 20 years ago when concerned and historically minded locals formed a voluteer organization to restore the lighthouse, its keepers' house and the "whistle" house (from which the warning siren is sounded when need be.) All three structures are in what seems to be good condition. The light house has recently been equipped with an automated LED light so no one needs to light lanterns.

A friend who is a member of the organization mentioned an open house so I and a couple of friends went yesterday; it's a half-hour drive. We, and other visitors parked in a Coast Guard lot and were driven the two miles of bumpy, one-lane sand tracks in appropriately equipped vans. I had never been out there before and enjoyed seeing the expanses of rolling dunes, the sea whipped to frothiness by a strong wind and exploring the houses. Rooms in the houses maybe rented by the night (the price is reasonable, accommodations spartan which seems appropriate to the historic site). The same friend suggested it might be a nice spot for an overnight mini-writing retreat (she is in our informal writing group).  Indeed I thought that seems a good idea. I don't know if we will be able to arrange it.
The house actually has four (crowded) bedrooms, a living room, kitchen and bath. Doesn't it look like a Hopper painting?

Friday, May 13, 2016

Beautiful Biography



I just saw, for the third time, I think, the magnificently done film called Thirty Two Short Films about Glen Gould.
Gould was a brilliant  pianist, especially an interperter of Bach. He was a Canadian whose mother wanted him to be a musical genius and got her wish.  He was highly eccentric and gave up public performing in mid-career and recorded and composed thereafter. He died, sadly at age 50 of a stroke (he had been taking far too many drugs, some for high blood pressure but many more than needed. No responsible MD should have allowed a patient to have the collection of medicines he had.

This film is, as the title suggests, in 32 short segments.  Nearly all of them are brilliantly paced, filmed, lighted, edited.  Of course there is a great deal of music, mostly Bach but not exclusively.  He is seen dancing in an ecstatic trance to a Beethovan set of variations.

I was lucky enough to see Gould perform during the final few years of his public performances.  He was famous by then for his eccentricities and I remember a rickety old chair carried on stage for him to use - a leg held together with duct tape, the seat putting him several inches lower than pianists usually chose to perform but that's what he preferred at that time.

As the small group who saw it were talking about the film and Gould, I realized that throughout the film, it was clear he lived in his own world, was entirely narcissistic (had no idea what others were thinking or feeling or needing), but at no time was there a hint of pettiness, meanness, unkindness in him.  (Unless you count the middle-of-the night phone calls when he juat wanted to talk  -- not a conversation but to talk. But the friends and relatives he called all seem accept that quirkiness with a smile and a sense of indulgence.) The world could use more geniuses of his sort.  (A portion of his recording of Bach's music was included in  the cache of items sent to the farthest edge of the galaxy (perhaps it's not there yet)  on Voyager I and II to tell aliens that there is intelligent life on Earth.)

Monday, April 18, 2016

We're Driving Whales Crazy

I've seen two documentaries about whales  lately and I ache for those huge, brilliant, social and kind creatures, especially those in the northern hemisphere. Whales do not have visible ears, but they DO have ears, in fact sound is how they communicate, socialize, hunt and find one another.  Water conducts sound distances that are staggering-- literally thousands of miles. Whales "sing" as has been known for some times, they send clicks and rumbles and a variety of sounds to one another - and sometimes to  people who are researching them. They are now being tortured far worse than the very unfortunate prisoners in Abu Ghrab who were subjected to loud rock music day in and day out.

In the sea all kinds of noise goes on day and night: oil exploration uses underwater blasts, the world's various navies use sonar to locate one another, there are literally thousands of cargo ships at any one time carrying goods mostly from Asia to the US (and other consumers, there are navy ships and ocean liners and all kinds of cruiise ships. REsearches discovered in Madagascar, near where oil exploration was taking place, that many whales swam up fresh water rivers and beached themselves, apparently to get away from the noise. Autopsies showed hemorhages in the aulitory part of their brains.

Most whale hunting has ceased bu the Japanese still hunt with huge whale processing factory ships.  It seems the containership builders are realizing that certain adjustments in their  propellers and their engines can make them much quieter and use much less fuel thus being less expensive to operate and pollutting less... they know this but, say the experts, it will take "a generation" for such improvements to happen. That will be a long time. There are quieter ways to explore and drill for oil but that will take a long time to change. Meanwhile we are torturing the whales. This fact alone bothers me terribly. I cherish quiet: I feel invaded when a motorcycle (or a gang fo cyclists) roars through, when a car goes by windows open, radio blasting, when fire, police, ambulances put on their sirens to go through the intersection very near to me.  I see that we have a generation who are now walking about with "buds" in their ears, constant sound -- sound of their choice, I assume. It's a different subject altogether, but what are they doing to their brains? 

Sunday, April 10, 2016

Amazing dancing!

During the many years I lived in NYC I had the privilege of seeing a lot of wonderful ballet. The top companies in the US and some from other countries. When I visited Russia many, many years ago I saw the Maryinski do Swan Lake and loved it. I've seem really wonderful ballet and it thrills me enormously; I consider ballet dancers the supreme physical athletes in the world.  What they can do with their bodies, all with enormous grace and as part of a musical presentation is astonishing.

This afternoon I saw a simulcast from the Bolshoi in Moscow. I've seen other simulcasts from there, Nutcracker and Swan Lake and I've thought they were magnificent but , aside from the incredible leaps  of the danseurs which seemed loftier and more prolonged than anything I had seen, I did not think this company was better than, although certainly the equal of, American dance companies.

Today I saw Don Quixote (or Don Quichotte, as they spelled it), a ballet with music very derivative of Tchaikovsky but not as inventive. According to the intermission speaker (a retired ballerina who speaks Russian, French and English, with a disconcerting breathless effort ) they have been doing this ballet almost since their beginings, some 150 years, although the choreography has been changed by various ballet master over the years. This was a lavish, full length -- four hours (with two 25 minute intermissions) -- ballet. The pace was almost frantic, I've never seen so much very fast dancing by both soloists and corps. The music always had a Spanish favor as did the costumes which were lavish, colorful and very, very graceful.  I will mention also that the non-dancing role of the Don was perfectly cast with a very tall, very slender man who arrived on stage twice on a white horse (far more beautiful than Cerantes' Rosinate, a poor old nag. An Sancho Panza arrived on a little black donkey  -- we was not the rotund character from the book --after all he is a ballet dancer -- but both were delightful.

The technical precision -- in fact, perfection ! -- was astonishing.  I do not know how anyone had the energy to do two more acts after the speed of the first act but they did and they were more and more brilliant.  The final solos and pas de deux of the two stars was so amazing I had tears in my eyes from simply being thrilled that such  grace and beauty within rapid movements was possible!  I felt there could not be another ballet company anywhere with the technical perfection  that I saw on stage this afternoon/last night, as it were, since it was a simulcast. 

The wonders of technology are at their very best, I think, when something of this caliber can be seen, literally around the world.

Saturday, April 2, 2016

More Thank Honey, documentary



More than Honey is the name of the documentary I saw yesterday.  I have never seen so many bees (inside their hives -- the wonders of modern photography!) working so hard as  bees do.  The documentary, directed by Marcus Inhoff, who has a nice list of credits, covered a good part of the world but concentrated on the US and one beekeepr,  Fred Jaggi, the dear man in the photo with the  straggling beard, a third generation beekeeper in what appears to be Bavaria or the Austrian Alps. (He speaks German), nothing in the film identified the place more specifically.  Fred, like several other bee keepers who made an appearance in this film loves his bees and is deeply distressed when they become infested with bee mites or with diseases.

The film shows, as did one I saw about two years ago, the demise of the bee due to industrial and other kinds of pesticide spraying.  Twice in the film Einstein was quoted as saying "If the bees disappeared mankind woudl die in four years." The seccond time the quote was"forty years.? Whichever, the point is that at lesat a third of all human food depends upon pollenation by bees. I'm undercertain why I should expect Einstein to be an expert on the matter.

As in the film I saw before, there is a "migratory" bee keeper who has a couple of big semi-trailor trucks. He takes his bees to the thousands of acres of almond grovea in California's Central Valley every spring to pollinate. About 70% of the world's almond crop grows in that concentrated area and they have no native bees thanks to fungicidal spraying that is done regularly. Mr. Migragory comes across as a business man supplying a need for a price. He takes his bees elsewhere, as far as North Dakota. This is not natural for the bees, they are, in effect, little buzzing robots as far as this guy is concerned. He talks money.  period.

Other bee keepers in the film cares deeply about their bees and are disturbed by the  colony collapse and other problems, not only for financial reasons but for these incredible creatures. Most notable to me in the film were two things: in China there are large areas that grow fruit trees where there are no bees due to heavy use of chemicals for agricultures. So they gather pollen and actually hire human beings to take delicate paint brushes and dab pollen on the fruit tree blooms.  One can imagine how labor intensive that is.

Secondly one bee keeper noted that the so called "killer bees" that come from Africa and are "threatening" the US after having been transported to Brazil and after relentlessly migrating north, crossing hte border (without visa)  are causing all kinds of panic among Americans in the Southwetsern states. They are called "Killers" they are "black", they are "a menace", etc.  This bee keeper points out that in fact, they are not more dangerous than local American bees, their "work ethic" is just as commendable and the color of their bodies has nothing to do with their efficiency in pollination.  They are as communal and no more dangerous (apt to sting people to death) than any other bees.  Sounds like a certain kind of bigotry that has been all too rampant down around the border of late.

It was an interesting doumentary, well worth seeing.